oems
by Lars Samson


Poems are in chronological order.

1. Snow palm rush hour 2. winterwind 3. Blonde

4. Winter rain 5. Laundry Hanging 6. Sky branches

7. Lost hand 8. Syncopated painting 9. Echoes

10. Outside Tucson 11. Desert monsoon 12. Concrete Facing

13. Canoned whisper 14. Since you 15. Change for heart coinage

16. CITY JAIL CITY 17. Not lost in the cracks 18. Me and my bed

19. Looking for wonder 20. Chrome fenders son and the wind 21. City in epitaph

22. Many deaths to live 23. The house where our love died 24. Michael Andy's four fingers

25. The squirrel is joy 26. Occasionally son 27. Me and our shadows

28. Whatever waltz 29. Older 30. Persons

31. Upon returning a year 32. Gallery of Lances 33. Mom walking to surgery again

34. Momental 35. Visiting Rosalie 36. Fall dance along St. Pete's

37. My Mickey-Mantle bat 38. Words these days 39. TRVST VS

40. After work 41. Words by hand 42. On and off the dance floor

43. Outlaw yard 44. Wondering the desert 45. Plains homes, plain lives

46. Farewell to goodbyes 47. Green-colored concrete 48. Landfilled silence

49. Human setting 50. Mesquite 51. Scrapbook of missed photos

52.  On the bench 53.  As if a Fall, desert sunset 54.  For men's feet

55.  Unnatural dawn 56.  Lost at sea 57.  Life—Like

58.  Days like these 59.  Longing for limbs 60.  Love, more or less

61.  Depressing the Cat 62.  Nonrelativity speaking 63.  Family dining out

64.  Mesquites' needles have fallen 65.  Time Less 66.  Palm everyday

67.  Don't You Remind 68.  Summer nears Phoenix 69.  Dust and power outages

70.  From Scrapbook Number 12 71.  Citiless sky 72.  Cochise's ground

73.  Of uneven ground 74.  Farewell farewell 75.  Winter Cottonwoods

76.  River face sea 77.  River daydreams 78.  Die head

79.  Buzzard spring 80.  Poles apart 81.  Ten extra seconds

82.  Merry Corpsemás (en Junio) 83.  Riverbed current 84.  Transit stop

85.  Words and people 86.  Unanswered calls 87.  Stark against blankness

88.  Ground in winter 89.  Half and hardball hugs 90.  Wall reflection

91.  Wood-stove ascension 92.  Spring training 93.  Roads without edges

94.  Patio nihilists 95.  Box of shadows 96.  Borders of Day and Night

97.  Dirt knows better 98.  Housework through science 99.  Learning with winds

100.  Cloudy with chance of oblivion 101.  Add water and alchemy 102.  Triangles and circles

103.  As dads do 104.  Night tide 105.  Poetestor without a cause

106.  Hear thyself 107.  Not puzzling 108.  Servile air

109.  Dusk 110.  Plagiarizing nature 111.  Warm decor

112.  A dream, maybe 113.  Shadowmaker 114.  Hating ignorance

115.  Origins of smoke 116.  Apache monsoon dream 117.  Boulders know

118.  Settling 119.  Gods of the River 120.  Sensesless fear

121.  Winter diorama 122.  Words and seasons 123.  Hungry hands

124.  Probably days 125.  Letters from friends 126.  In full sight

127.  Living at tree speed 128.  Patio sentinel 129.  My Puppy Ate This

130.  Fear sleep 131.  Mourning dove song 132.  Pay no mind. Lease, with option.

133.  Night-monsoon morning 134.  Projectionist of my dreams 135.  Smart aleck

136.  Half-hearted 137.  Feral iron 138.  Better not said

139.  Day calendar 140.  Clouds become the man 141.  Manicured towns

142.  Late winter's misers 143.  'Mind' in 'File' folder 144.  Mirror || rorriM

145.  Falling... 146.  Exchange and Repository words 147.  Feral electricity

148.  Mesquite winter 149.  Yes, again 150.  Right Read

151.  The 152.  Final curtain 153.  Mesquite dreams

154.  Another word (poem) 155.  Slighted Subconscious 156.  Libraries of one poem

157.  MAGA 158.  Hope in the World 159.  Circle K, U$A

160.  Up the Babocomari .   .  



  Additional information


excess

Nothing to excess
lest
you overindulge,
smell like a herring,
and develop a bulge.
No less to be least
lest
you go to extreme,
being excessless
and mistaken the mean.

1974

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Snow palm rush hour

Driving to work
in a snow-glazed ice cube
I can hardly see out
down streets stopped with shoving lines
of people-souled ghosts
whose eyes burn on each other's backs
or lose themselves
in dusk's gray and white dust.

Palm trees bend
like white-haired grumps
wrestling with green raincoats tangled
about their heads.

1976

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winterwind

Winter pulls her white veil
across the face of black mountains
shoving sheets of iced wind
along the ground
cracking leaves like they
were blued mirrors.

1976

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Blonde

She's a spit-polished B-17
with a full load in her bomb bays.
Decked-out in slick silver tights
she sways down the runway
sticks her pointed props into the air and
revs up.

She's gonna paint Dresden red tonight.

1976

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Winter rain

The rain drifts silently
down the glazed-window sky
seen only in puddles
shaken by sinking rings
or against dark trees
torn across the page.

It stops like it was never there
leaving still pools
where our shadows grow faces
staring back at us.

1977

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Laundry Hanging

He slumped over his elbows
in a chained laundromat chair
like two-month-old popcorn
in the machine beside him.
Her wrinkled eyes cornered him
and she bared her small teeth
in a flesh smile.

1978

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Sky branches

Looking up
branches crack the sky
as sunshine melts
flowing into a pool
shrinking down a crack
into darkness.

1978

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Lost hand

All they asked,
when his draw came,
was that he lie face down
so his back matched
the others: Discarded
by chance laughing
like a closing door
as the light flees inside
and darkness
swallows everything.

No big deal.

1979

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Syncopated painting

His teeth were still hot
from breakfast
as he drove by parked cars
hissing their envy like cats.
His newspaper eyes
were straightened
and his tie
plain black and white.

Behind the electric-guillotine windows
there was no bus exhaust
nor that broken-nose smell
of fear.
The outside blurred skating
against the bent glass
like a syncopated painting
wrapping around itself.

1980

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Echoes

Echoes
opened
door within door
within door.
An endless hall
discarding its coats
one by one.
Wringing their sleeves
over and
over again.

Shadows running over taken ground
limping behind us
as if mocking our pasts.
Fleeing holes
rippling across contours
in the closing walls.
Fading as we turn
like the last smile
of a mother leaving.

Parallel lines
narrowing to the point
where what was
returns
to haunt us.

1981

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Outside Tucson

The telephone lines don't bind
the foothills out here.
Squawking birds know who's boss
and don't mind telling you so.
With the cold slap
of hard winter rains
the grass has awakened early
scratching through gravel
on the rocky desert slopes.

Here the washes twist or turn underground
at the whim of last summer's rains
yet the land remains
unchanged
only worn.

Mountains push their proud jaws
against the stretching sky
scraping holes in the clouds
with their scrub beards.
Saguaros congregate in the valley
like coatrack conventioneers
their songs a faint whistle
running among trees and brush
then behind a hillside
gone.

1982

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Desert monsoon

Cotton-candy clouds slide flat-bottomed
on glass supported by hilltops
flickering out like lightbulbs.

A dustdevil lifts her thin, wide skirt
and flees —
squinting out the sun.
Color seeps back up plants
bleached by the glare.

The skeletal trees bow to the wind,
bushes giggle, and the saguaros join in
with their song of whistles.
The clouds grumble under their own weight
and the glass cracks —
parting the heavy heat
and filling the air with the green-dirt smell of creosote.

Lightning throws broken chalk
growling across the blackboard sky.

1982

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Concrete Facing

Concrete deceives the elements
a homogenized invention
like oatmeal bubblegum
it can hold its breath
until it is stone fixed
as certainty shoulders
We're told it lasts forever
but even our forgetful eyes
know better than that
how the cracks grow
after enough winters or mistakes
and it melts into styrosand
shards and gray guts
like our fears become familiar
then tired

But concrete is so civilized stacking
us in tidy boxes
climbing into monuments staypressed
like our dreams
Its towers bend the wind
and steal the warmth from the ground
lifting walled islands in the air
where its rooms draw lines
between our lives floor
upon floor upon floor
like cracks in our palms

Concrete is silence
which talks over our secrets
like they were morning ears
It cracks mere voices into static
like a grasp through narrowing wires
closing slowly into hungry hands
We're told that's better than the steam
leaving our voices to return
as sweat on tardy mornings
That it's better than waiting
for our words to lump in our bellies
that days settle into cement
and our limbs fall away
like calendar pages
and we clutch at ourselves
like we were forever or true

1986

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Canoned whisper

whisper
the wind
waves
under its careful steps

whisper
the wind pauses
waves form rings in the forgetful water
like log wrinkles closing
in on our mortality

whisper
the wind waves
flowers in a bent path

whisper
the wind stacks waves
which tumble and crack against the
packed sand
blown from unseen corners webbed by dusty cold
where days are jerked about the surface
then dislodge and wash ashore
like slithering jewelry
along a long bleached neck

whisper
waves shrug with the wind
whistling its disbelief
the endless blue blanket rolls
tipping white caps over
into a buckling green pane

whisper
the wind
waves
briefly like a distracted goodbye
leaving no faces pressed
against your memory
no dancing scent
no touch

1987

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Since you

Since you
a hand reaches out of me holding
each day like childhood
with a morning joy that
gives up its toys too soon
Life is no longer Mondays opening
on halls of doors Confusion
no longer
a tired fear but bounding
ball bounding down the hall from
a cat's play rage

Since you
each finger presses life's seams
sweaty palms swaying like
slender bone poles
drowsing in the hot breeze
bathing in the flames from
your skin's creases
riding the twisting winds
which quicken with your heart
building faster faster
crashing against your backwaters
and inching up your hips to
ebb in a shudder worn
by the heavy moisture

Since you
time is no longer
a straight line cut
into lengths that are never
long enough
Now it is a parting of
the air like a pocket lined
with itself and recalled
child logic shrugs off rote
lessons as my joys and fears
spring into your dawning hands

1988

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Change for heart coinage

He keeps his heart in his right
front pocket with his logical coinage
He probably counts it but
never turns it over in his hand
never fingers the ridged edges
lined lips rehearsing a kiss
over and over
He spends it slowly and
only after stacking the margins against
each other

Most of the time I think he forgets
the weight of it in his pocket
I know he shares it
when his fears are sleeping
and he sheds his moneyed belts
of heart logic

He probably saves little beyond
the close of business just
tasks tied up by worried fingers
He lowers his shouldered contract only
when the hour is lonelier than
he before he slips into sleep's closet
to latch the fear outside

1989

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CITY JAIL CITY

On the southside radio and TV
towers were pounded like electric stakes
into the mountains so they couldn't
grow on their own
Their drystalk slopes glowed from neon
bars that spat into the night
DRIVE-THRU LIQUOR
burning like eyes through
the smudged air

Across the valley rages waited
trapped in our cars like soaked raincoats
we return to each time we
run out of caring
They growled at stoplights jockeyed for
position and grabbed our throats barking
hatred and pain
Pain like hairs twisting in
our lungs as the heat rises from the
ground to steal our breath and crack
our hands and faces in a glare smile

All day long airliners cleared
their throats against the horizon
pushing aside the traffic drone
like railroad cars parting in a rust
curtain grinding their rounded teeth
on steel stretching both ways
beyond the ends of our eyes
And our hearts tightening
in a circle smaller circle smaller
free of pain and worry choked of
desire and longing gasping out
of our clammy fatigue

1989

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Not lost in the cracks

Cracks bony black fingers against
a face of blemishless veils from old
scrapbook photos each smiling
back like June Cleaver
Beaming a clean cathode-tube glow
that has no taste nor smell
warmless like a stillborn myth
Now to see those veils curled back and those
dried whispers I'd not noticed before
makes me wince like you'd torn
a cherished picture

It's like one of the Greek goddesses
had died or I had forgotten my name
Like a fearful face had cut
into my past to steal the love from
my childhood I had to choke down
a hatred of you for that
Now I remember you pouring Dad's
pain on the ground into a shadow
breathless under its own weight
Now I taste that wrenching smell
the yellowed truth and
love

1989

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Me and my bed

When I was 9 my bed was a fortress whose
covers were parental battlements against
the latenight TV monsters which
had leaked into its black moat
Its covers were safe lines bent like
a mother's shoulders at the corners worn
like a scrapbook of briefly remembered
dreams and warm forgottenness sometimes
visited by women doing unseen
things to me

Then it was a pyre that bore
my prayers and rationalizations to the mute
sky Like God or Socrates were
evening elves who put reasons under
the pillows of believers

In early manhood I avoided
it saw it as holes in time tried
to wait it out
till dawn
Women came and left
sweaty indentations in the sheets
motionless like chalk silhouettes on concrete
It hid me unless I drank too much
night then it circled on me and
sank towards the gagging ceiling

Lately it brings a pain to my lower back
like memories shrugging in longcoats
which don't quite reach
the ground Our daughter and son
see it as a field trip or sanctuary but
the wife and I
call it home

1990

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Looking for wonder

It's looking under the rocks of reason between
the threadbare hours of early morning
after our fears and faces are sleeping
A yearning alone but not lonely like boyhood
dreams of being a fireman slugger star
daddy before the stacks of money and bills
started sparring
Flying by no known reason stretching
time into child hours

It's searching without wanting to find the longer
the grasp the better where eyes forget
the scientific billboards to see
like babies
for the very first time
Like running with eyes closed
untamed unscheduled unlogical

It's near
everyday's edge where mountains
rip shadows in the horizon and some
dreams slip through

1991

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Chrome fenders son and the wind

There's something about that pounding of piston
legs pumping their splittime beat through
the tires and frame nodding up and
down with our body eddies
The tires rumbling on pavement grappling
like a corner

It was as if we were creating the wind
unfurling its clear sheets behind us Even
Michael at 1 felt it his curling grin
came from the edge where that neverseen face
demands a yes or no

On these wheels the neighborhood slows
to show its little joys and uneven
edges where flowers gather mostly in careful
corners to trumpet their beauty's carelessness
Where flagstones and railroad ties weave tidy
paths yards are leveled or measured and
back alleys hide our waste

My chrome fenders dated me their gleam
came from a simpler time when outer space
was new governments gave freedom shininess
spoke truth and a man and son were
linked within a frame

Michael closed his eyes sheets of air
toweling his face smiling
when our eyes touched He
bowed with the beat pounding
out we're alive

1991

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City in epitaph

So many dust faces
like hands clenched into fists dried or
empty palms cracked on purpose
So many silences
filled with cookiecutter words
or abandoned where our feelings
ran scared

So much anonymous hatred
given like a prize with our fast food or
each new used car
Worn like a back brace which
keeps us bent and our
faces at our feet

So much love gone
unclaimed irrelevant not chanced

1991

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Many deaths to live

Dad's body felt stone hard like
my dog's had when he
died
When he dozed off sitting midsentence
his mouth fell open like
my dog's had
That same vacuous gape leaking
the soul into pools of memories
warm red

That hardness and fish mouths
drown our cities like empty concrete
pools draining any inertia
Doing otherwise is stupid or at best
odd showing weakness Risking
the canned laughter of derision or
the silent scream that ends
our lives

That same hardness choking
anger not yesterday's wonder
all that keeps us from killing
ourselves Clubbed with
preassembled thought heads
drooping like sadistic sleep jerking
us about by our dreams we wake fitfully
staring into the distance from
our lives

1992

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The house where our love died

Coming back to the home that sent me
away used to pound my chest quickening
the reasons and allegations that wouldn't stop
spinning in my head. Curdling
memories in my stomach.
Yes I hated
you for taking away my love.

The hate came with the fatigue from slapped
emotions. With watching dance after slow partnerless
dance sweep across a shadowless courtroom. Kicking
my past in the shins.

All along our love grew under the
tree where you used to sunbathe and
wash your dog. Behind the porch where our son
took his first steps. Even through the miming
legal process coughing up our forgotten anger.

The house no longer talks with
me but I try not to mind. I
don't hate you. I've remembered some
of that love. And see it nurturing
its blossom our son.

1993

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Michael Andy's four fingers

Your face an open book
already forgetting all
you'll need. If not having forgotten too
much. And learned too much
of indoctrinations I'm
only starting to unlearn.

You haven't learned to read
your book's reflections twitching on the faces
of loved ones and strangers like a broken movie. That you
reach out your hand only with eyes clenched
against the inevitable wound.

If I can just not teach you too
much. And help you stop unlearning
your ancient voices. While recovering my own joining
in your daily song: Life
is one moment. Each a day
in itself. Neither fair nor
unfair just life. To be lived
and passed on.

1994

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The squirrel is joy
(To Rosalie)

I was gliding on the warm wind
the ground below from horizon to
horizon my four-year-old's smiling
face. Round hills to the east and west, curling
lips creasing the gentle plains.
Warm coils of our love swirled upward
lifting me higher and higher, lighter
and lighter, clearer, quiet and
calm.

"Get a clue, already" the squirrel
mock-scolded from my shoulder.
"I'm everywhere, in every
face. You don't have to look all
over you just have to look
deeper, in
every face."

The edge of the blond forest rolled
towards me from the horizon just
inside the woodline I saw
smiling a large, rollypolly bear leaning
against a tree. He had time
to wait. He knew I,
the squirrel and doe
would be becoming.

1994

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Occasionally son

I remember the joy of kissing you goodnight late
as age 7. Then
we lived in different houses different
cities. When you visited whispering
fears loitered between us. And your smile tended
to itself.
(Or maybe it was my last
fear: hurting her.)

Then you moved far away and unseen
that smile changed disguises. In the hours
I saw your late teens you seemed braced
against a lasting fear. Had you
recognized the shadow in
her love?
(When I first knew it I loved
it away. Her pools of kindness
the meek ripples of
her pain.)

Now you've graduated high school overtaken
manhood and pulled up to your first consignment
of original sin. I'm sorry
I missed sharing tribal secrets offering
mistakes and being there
to love.
(I'm sorry I finally said it was that fear
or me. It was bending me
into a pain fist I had to
leave.)

Remembering you brings your child smile but
like our wounded hourglass it leaks
my memories.
(I'm sorry I let that fear take
our love.)

1994

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Me and our shadows

My shadows change shape with every
turn of face. Disappearing whenever the light
corners them. Evaporating to condense steadily
like growing older and used to their company.
They become our own. More faces
resigning themselves to shouldered
shallow breaths, but never revealing
who they are.

Some cower behind us offering
a sad embrace that never lasts
like our childhoods inevitably
walking out of reach. Shrugging
when pressed for a few forgotten
lessons or lies.

Others pour out of the belly's red
eye raw with confusion steaming
hating fear. Swinging madly
at anything that walks up to it not
hearing not talking.

Sometimes their shivering seems
comforting. Backwater ripples
by today's routine anger and frustration. Uncertain
but confiding like a friend plucked
from faint memories. Sometimes that's all
we have pressing against their
cold chests.

Always they're shifting daylight
faces. Why any different than us, their mouthing
masks? Than those eyes we avoid
in mirrors? We can't leave what makes us
what we let ourselves glimpse. What avoids
our touch refuses their pain and denies
their names.

1996

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Whatever waltz

Bare branches
leaves having fallen
like blued mirrors singed
by the sun.
Thin arms shaking
the wind for a look in
the shattered faces
on leaves about their feet.

Truth requires
careful handling.
It can turn on you
slashing deep.
Slitting an eye
that bleeds when it's opened
clenching the heart so
you can't feel it beating.

Stillness. The wind's glazed
sheets waltzing
alone between finger branches
reaching out, unheld.
Faces rusting brown, aged,
unfamiliar.
Tender snow veils
drifting in sorrows.

So we hide
our truth inside coats,
asking the same thing —
not listening.
Empty palms like
cups without any taste,
we turn the collars
of our dreams, pause, and leave.

1973/1986/1996

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Older

Now with bifocals my focus
goes soft unless I directly face things.
Like putting one foot before the
other. It seems obvious.

And the obvious not
so unfamiliar.

1996

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Persons

I prefer persons individually
wrapped. Or in chatable bunches like grapes each
one met slowly, grown
with thanking hands.

In these economy packs we cram
ourselves, there's just after-
taste. And that inevitably walks
away, leaving
only its vague desire.
Everyone's resigned
to there being no time to reach beyond the sound
bites, beyond the repeated
monologues. Our wounds and dreams
loosed only in those moments we run out
of lines. More orphaned stories bobbing
in the sea, washed indistinguishable. Or worst,
unread.

My friends and I share our
victories, dreams, and pain. We trade lessons
and foolishness. Sometimes they pantomime my repeated mistakes;
sometimes they teach years. All blending
with mine — our unsayable, our is,
our becoming.

And we hug.

1999

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Upon returning a year
or so later

The words didn't stop
coming they just lowered
their voices. Became less insistent, more
patient. And — maybe too — repetitive, but that's
life.
Words become days, sometimes single
moments novellas. Years
just segues. Life,
poetry.

Life can be like that. And
different too. Constant. No,
abrupt. Like, sometimes — yet
not — words. But
different — like life,
change.

2000

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Gallery of Lances

All Lance wanted was to be burned up
and scattered around. And his veteran’s flag folded,
like his dead hands, for his youngest. Just a one-act play.
With an unheard epilogue, read
after all were gone.

          *                 *                 *          

We all had come, cluttering
the proceedings with our fragments of Lance. Some burdening
the defenseless deceased with pronouncements. I found
myself spouting some sagely piece of garbage — as if Lance
were a character whom I was refining, as I spoke. The words —
though meant truly — bittered on my tongue and fell off, growing
nothing.

I felt foolish and hollow
like a one-scene character whose lines die
even before he’s off-stage. Like I
had more funerals to learn from.

Others brought rituals like dance patterns
drawn on the floor. Empty-armed routines
that meant nothing to the gone. But maybe
they served as an offering to or a marker for
that partner missing.

I guess funerals help us press on — with one less familiar
face out there. Sharing our pieces of that face — like cherished
trading cards. Showing each other’s hands, the rings
on our faces, and maybe
just maybe some heart.
That seems to slow the ever-tardy moment, to welcome
a held breath. To ease
the letting go of a life. A School
for Living With Dying.

          *                 *                 *          

An unraveling edge tore
across Lance’s lady. Her face lost, but tears
still finding it. Her body emptied of touch.
And, she feared, of Lance.

Our tithes of memories seemed to widen
her horizon of Lance beyond
the short time and the faces that they’d shared. To see
the expanses of his path. And the flowers
she’d brought to its sides. A ceremonial wakening.
Of the dead ones within us.

          *                 *                 *          

Sometime during the service, a thick rain
had stolen in — large like Lance,
but with a light step — keeping its lightning
to itself. It felt familiar, as we drove home
in the soaked darkness.

2001

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Mom walking to surgery again

Mom had been here before. Now her second
eye had clouded over and science beckoned
with another miracle.
When the attendant came, Mom’s slowed,
but obedient shuffle tried cheerfully
to keep up — even as she was walked into the blade, fears
snarling all along the walls.

It looked like a parade for the forlorn. And time twisted in
the kaleidoscope of memory — small and large moments
jostling for position in the backlight. Then, it was a Chaplin
movie with too much cheerfulness to be contained
on silent film.

I saw Mom’s young face, looking down lovingly
at me. Then, her pioneer shoulders clearing another
boulder. Clowns with unpainted white faces
and creased frowns. Heard Mom’s heels clattering after duty
in the pre-work hallway. Saw floats with young girls in bushy,
‘50s dresses — the floats falling apart, little
by little, after a while. Tipping over
at the end, where there were no spectators
and the crowd’s cheers had died.

My heart swelled with admiration, giggled
with familiarity, and froze. I felt too soon
to be orphaned.

2001

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Momental

Each moment —
a
new
World.
May I keep each
nothing special — only
wondrous, unfathomable, gushing
over all my senses.

Not dragging passed moments
behind me: the scolding finger, the polemic
rages. Moments dead
that never existed.
Empty me of all but
this moment, all
there ever was.

And emptied, open me
to all
this
moment
is.

2001

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Visiting Rosalie

Her face
— sleeping —
the unfolding bloom I
had loved so long.
Her eyelids
fluttered like butterflies rising.
Her eyes
opened and held mine and the sun
broke the horizon — pouring its glow over everything.

Her hands
grasped mine. A soft
shower kissed the air and my heart soared,
then swooped into a shadow — coming to rest by
her face.

2002

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Fall dance along St. Pete's

The Fall wind had returned
to the Cottonwoods along the San Pedro. The river
had persevered through the long summer’s stillness — but now
couldn’t stop chattering to the weary rocks.

Some Cottonwoods were drawn to the gossiping while
others formed cliques out of earshot. But all
opened their arms
to the wind.
Treed leaves were green, distractedly. Or yellowed,
in the season’s fashion. Fallen leaves formed
bloated petticoats strewn about
by the frenzied or shameless.

The wind — first bold, then uncertain — rustled,
then whistled softly. Advancing to ask, then
fading like it had never come. Enchanted,
a leaf would consent
and release from its tree — sweeping in a wide,
golden waltz that ended
too soon. The timid gasped from behind — quivering
or clapping with excitement.

The river tucked the moment into a whisper
it would roll over and over until
next year’s dance.

2004

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My Mickey-Mantle bat
Dad and Little Sister

I can still hear the wood’s screams echoing
up from the basement, four decades later. Dad’s power saw
chewing through my collection of baseball bats. Me listening
closely, trying to tell if my Mickey Mantle bat was the one
being executed. Hoping that it might, somehow,
be spared.

This was the sentence for day-dreaming baseball in the house
on a rainy day. When my little sister — mimicking me —
swung a bat and poked a hole in the side
of the family’s new TV: Our black-and-white shrine to ’50s America,
trophy of Middle-Class success.

          *                 *                 *          

For years, I saw this as one of Dad’s moody excesses. Cruelty
born of ignorance, rage, and weakness.
But 42 years later, my sister gave me a replica
of that Mickey Mantle bat. And the bat slowly took me
in its grasp. . .

It told of Dad standing in a deep well — encircling
walls of bills and responsibilities towering to choke off
the sun and air. How a bucket, lowered,
coolly glowed with water pulsing from the rope that rose
like an antenna to the light — tidily assembling the World
in 30-minute chunks and broadcasting back, “Here I am,
World, talk to me.”

The bat spoke of Linda’s guilt — seeping over
40 years: over-written chapters missed
by the same anger
executed by my Dad.

And it reminded me how Linda first taught me
how families talk. How opened words
pass precious shards from our lives that we
exchange in a bonding of sweat and dreams.

          *                 *                 *          

Now 52, I quit playing baseball
decades ago while Linda loves it as I did. Our Dad
succumbed to his darkness, eight years ago.

I don’t miss the touch of those bats, but long to grasp Dad —
Gene. I finally see how my new Mickey Mantle
is much more precious
than that 10-year-old’s.

2001, 2004

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Words these days

We pass our words with palms faced
down. So listeners cannot see
that the deck is worn. As if
the string of noises is all
that is required. And the breath in the words
just boring detail.

We flourish words in a fan
that aligns all the corners, but shows
no face cards. Our wagers hide
our uncertainty and bluff plays
we have yet to realize.

Just more losses thrown into the pot. Letting it
rot. Without sight or breath. Or
palms touching.

2004

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TRVST VS

I’m pretty free
with my distrust. I’ll give it
to anyone.
It was my job
as a newspaperman. But that’s
only the facts.

Now I see the media
as a purring cat.
It may not understand. It may welcome
your touch. But it could shock, unintentionally.
Or go for blood.

2004

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After work

He collected faces at bus stops. Would
take them home and sort
them. Vase the keepers, with arranged delicate
hands. Maybe prune
some of the lips.

Some he’d even straight-pin to the walls
of his memory. But forgotten, they dried
and curled upon themselves.

2004

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Words by hand

Thumb.
When do words become poems? Pull
that lustrous coat over themselves or bare
themselves in their beauty? I still
worry about that too much. Like
looking in the mirror for lost dreams. Like
thinking there is an answer.

Index Finger.
In quiet, I see poetry
like life: Reaching with arms open. Rolling
it around in your hands. Reading
what you can. Writing
from itself.

Middle Finger.
In my own hands, words
talk silently and mostly amongst themselves. If I’m still,
I hear. . . but don’t understand
for three years or more.

Ring Finger.
In your hands, may these words require no
others. And not offend. But maybe whisper
silently, inside your head.

Little Finger.
Now you hold these words. They can talk
or not to you. Though
I’m not sure I’d trust the mouth. Better,
to take words by hand. To hand-over-hand down
their thread as they bend and unravel. Until
they reach
you.

2004

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On and off the dance floor

Against the blur on the dance floor,
the matronly woman seemed almost
motionless. Invisible or — worse — quaint
to young eyes, she possessed mine like wind
sucked into a cave.

The wind — growing, then circling
in her kaleidoscope eyes — spun me ‘round:
evening air waltzing in music, handsome eyes
courting glances, certainty
in her love’s hand at her waist. Anniversaries,
children, graduations. Rhythm radiating her body.

Before that, my seated eyes had been stealing
chords from the guitarist. I rarely dance.

2004

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Outlaw yard

My suburban-Arizona yard
is an outlaw.
Again.

Last time, a neighbor — who lives
one block down and two blocks over —
complained about my “dirt piles.” A
beleaguered city worker-turned-henchman cited me
for blocking visibility on the corner. My friends
joked, “Berm, baby, berm,” but it was a lot less funny —
moving several cubic feet of dirt
in the 100-degree heat.

With a lying war killing hundreds
and deconstructing a nation, government abandoning
our poor and elderly, families routinely shattered
and children administered — it’s nice
that I can provide some distraction. But I don’t want
any special treatment. I’d settle
for people treating me like the other issues:
just look away.

2004

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Wondering the desert

What happens when a building covers wild
desert? Encloses air that had always
roamed?

Is a ceremony held somewhere — words poured
on stand-in earth? A form required? Anyone
notified?

What do the expatriates think? “Shameful—
locking up young air.
I can remember buzzing a silvered sage there.
The ground often smelled of day-old coyote.”

What will happen if all the land
is tamed? Will the wind have no air
to unfurl? No branches to nudge into song? Will the ground’s
humming go silent?

Will there be no sunlight tickling skin and penetrating
bone and muscle? No breeze whispering
on flesh? Just the mimicking hum
of centralized air and chills
distilled in condensers?

2004

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Plains homes, plain lives

Plains Indians only folded their homes
over the ground. They picked up and moved on
when the seasons reminded them. Their footsteps
soon blown away by days freed
of their names.

Now America mostly builds marketing
plans and synergies — electrically penciled
on distilled-petroleum disks. Any sweat
is provided by neo-Capitalists who have no idea
how small their piece is.
When America builds anything substantive, it’s:
•  Cleared through Legal
•  Propped up by tax dodges
•  Smothered in concrete.
Inside, we camp around the cold glow
of our PC screens. Our cubicle stalls fold up
when the Corporate chiefs announce
quarterly dividends. Our imprint vacuumed away
after days that have become
two repeated digits.

2004

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Farewell to goodbyes

The goodbyes came and went more frequently
when he was a baby. Short breaks in the wonder
of that next step into life. Immediately washed away
by eyes widening and arms opening.
Then, goodbyes were winks in time when he was never
gone, then back again. I ignored them
with a baby monitor and visits to caress the back of his head —
reaching through sleep to assure that our goodbye was only a dream
that would evaporate with his waking.

By age 6, goodbyes had become
an accepted wound. What you do to survive them,
but making the hellos so ordinary. Not long
after dinner, the ritual began — a slowly falling sheet that came to rest
in a line between grownup and child. Guiltily,
I often anticipated that time — wanting to throw off
the tight suit of parenting and do what I had been correcting
in him. But still, I cheated the goodbyes — stealing
into his room to shorten them and renew
our dream-world pact.

Now starting their teens, the goodbyes are dog-eared — expected
of provider, student, and child-custody rulings. In the late hours,
I ask them to pause: “Parent me. Child me. Prepare me
for when you ultimately leave.”
Until they go, I’ll use the dark to rob them — holding
the round of his head to remember
when each waking was a never-left hello.

2004

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Green-colored concrete

At some time, all of us are like
green concrete. Letting the momentum of our lives
harden into their own selves and suffocate our wild ground.
Pre-fabricating the very opposite
of who we are.

With practice — and for many of us, age —
we can catch the sand and lime churning
in the back of our heads. And stop
the gasoline-fed pulley from turning it
over and
over
and over.

With luck — we can leave some ground
uncovered, unplanned,
uncertain.

2004

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Landfilled silence

Nowadays we dump silence
in landfills, outside our lives’ limits.
Cover it over with dirt or maybe alcohol
or evenings of TV, errands, or other sanctioned drug.
We don’t smell the rotting.
Don’t notice that hollow hunger
sometimes grumbling, but always unsettled
deep in our stomachs.

We don't hear our child voices
asking the same, simple questions over and
over and over.
Forget our stores of dreams
and silly fears.
Meander in a chilling fog
that jerks us about
like epileptic marionettes.

So the chest-beating din rolls over our lives
hammering our ears shut against
anything less than a yell or boast.
As if raising the volume or repeating repeating repeating
made any of the noise more than that
and not less than silence.

          *                 *                 *          

Unwrapped slowly,
silence can unfold into a horizon that stretches beyond
your eyes, logic, and tired defenses.
Staying
the spinning scenery.
Singing
the two-beat rest
that’s tied across all the measures.
Embracing
like your favorite quilt.

Listened to,
silence bares the voice inside.
That narrator you suspect you've met.
Someone
you trust at meeting.
Someone
you lean forward to hear.

2004

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Human setting

The sunset couldn’t comprehend
the confusion and frustration beneath its gauze. It was simply
beautiful and didn’t know of such things. It was only
sunlight refracted by dust.

Are we any more? Could we be
that much?

The darkness awaits our answer.

2004

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Mesquite

Hurling its branches in any open
direction — each leaf a pallet of fingers
parted to accept the wind.

It doesn’t want for water. Only
sun and open sky. Its hands
cast no shadow.

2004

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Scrapbook of missed photos

He looked back over his shoulder like
he could reclaim the moment that had slipped between
its thinning seconds to become another
coincidence missed.
The air again was empty of
sound,
warmth.

Later, he would press what might have been
between the pages of his memory.
Maybe slide his hand over a surface to soothe
the smell of paper decaying.

2004

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On the bench

I was a second-string guard
on my freshman basketball team — used
to warming the bench. Practices
were the star waving his elbow in my face
and throwing his weight against
my half-grown body. Games
were watching from out of bounds
and getting in just long enough
to get singed by the converged light.

Four decades later, I’m on no team. Practices
are for themselves and me. Games
are sitting as much as I can
on the sidelines where most of us try
to follow the changing rules
and make what we can
of our play time.

2004

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As if a Fall, desert sunset

Immersed in the waning, flat light even flies
look golden. Backlit and glowing,
they dart about — as if they weren’t winging it.
Tiny white flies sink lazily, swinging
left, then right like falling leaves — then jerk away
as if they’d dropped the gravity
of their short lives.

Behind us, three palm trees press against
the vacuous sky — a relief
stamped into gold foil.
As if they were natives
mugging on a postcard.

2004

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For men's feet

Two pairs of men’s shoes. Nines and tens.
Each studied, intermittently, by their respective wearer.
What many men do when we peel back
the callouses on our heart.

The escape of discouragement and loss
brings the stylish wingtips into focus.

The worn tennies are visited more frequently:
Their wearer having twisted in that too-familiar pain, but knowing
the ears go silent and no words could salve
the throbbing numbness. Hearing
the jagged summaries and knowing
they are just shards and jumbled
amongst his own missing pieces. Wanting
to comfort or pontificate but knowing
the wingtips must... can only...
take another step.
Then another.
And another.

Maybe so, but the tennies’ watcher should have seen
that there were two pairs — rarely together —
now steps apart.

2004

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Unnatural dawn

Unlike nature’s, human dawns
wake dead machines.
Start teeth
grinding. Close circuits
to shoot electrons
through sealed wires.

All to do their unnatural bidding.

2004

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Lost at sea

The night tosses Michael about his bed
at will — stacking waves that stomp through his sheets
and cough up desolate cartoons
jerking about cutout characters who swagger
and then turn their edges at him —
evaporating into vertical lines.
The voices garble over themselves as they surface
through the twisting currents.

Eventually, the storms break and the churning
recedes from his uncovered body.
Some storms veer away — but their winds still call him.
He answers in a voice full of conviction
and unaware of understanding.

Are these swells from deep tremors? Merely
too much Serotonin or a movie whose frames
shove each other out of position?
Are there any lessons to be learned here?
Any logic or science involved? Or is this just more of life’s
routine randomness?
Or the doctors’ drugs?

I can only caress his head as he sleeps
to soothe some choppy waters.
And wait here, on dawn’s shore,
with the same bottled message
that he is not ready to open.

2005

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Life—Like

A grocery list:
No sooner have you shopped
than you're composing another one.

That is:
until you don't need to eat.

2005

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Days like these

Stroll alongside you — most often in silence —
with neither of you noticing how far you’ve come.
If you talk at all, it’s about nothing, really,
or memories and daydreams
uncovered by your steps.

When darkness begins its rise out of the East,
you both swear you just shared lunch.
You take the day’s hand and continue walking...
but slow your pace, to caress her hand a little longer.
As the shadows move across her face,
they leave no mark or remorse.

You keep walking because you know she can’t stay.
And when the dusk breeze insists,
you release her hand ...
with thanks.

2005

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Longing for limbs

Living in the big city, I often feel like a tree —
ripped out, stripped, and replanted in an alley.
Tied down with wires choking in chatter
and a transformer bolted to my skin.
My head peppered with ceramic pimples
swarming over my head
like baby aliens.

No longer a village unto myself — with limbs
branching streets with cul-de-sacs clustered with families of leaves.
Each leaf tapping into the well wandering my body,
conjuring up green and air in its veined workshop.
No, just another node in the grid of economy bearers —
the wires tangled about my head radiating waves
like an infectious headache, pushing indexed data
into defenseless homes, walled off from each other
but really walled in the same, virtual cell.
Air not something unburdened and set free, but another commodity
considered dead if it is not electrically imprinted.

We neighborhood poles don’t even get back two arms any more.
That would marginalize the masters’ profits
and we might wave them to warn those about us:
“Tie-off the wires! Take back some silence!
Please, listen to the silence.”

I don’t want to overthrown this life
just walk away from it, back
to our highlands where the air still wanders unchanneled,
not reined as another beast of burden.
Where my brothers and sisters sway with it,
passing its song in whispers.

To sink my feet deep in the soil,
feel the life rise in me.
Stretch my arms to embrace the sun
and welcome the giggling leaves.
No longer just another sentry at his switch
pushed by the voltage to sort the ones and zeros
and conveyer them down wires to families
like they were some sort of semblance of life.

2007

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Love, more or less

Love is more than saying you love me
each time you leave
or end a phone call
that cancels another visit at the last minute.

For me, it has become a dull pain
that throbs whenever I see or imagine your face.
Knowing you don’t realize or care
about pouring my pain on the ground —
spilling some in the rapids that writhe behind you.
And watching your half-hearted dog-paddle
that seems to beg for a drowning.

The pain unravels across my chest
when I see the confusion and fears
bobbing on your vacuous face —
sinking and entangling in manic netting
to slam against you, again and again,
as you drag your feet forward.
And how the unchallenged winds in the back of your head
howl up rumors from your secret depths
and swirl the scenery by your blinking eyes,
in a blur with flashes of jumbled fragments
that you have come to believe.

Love has become a stomach aching with emptiness, but
knotting at the thought that you will come.
And, when you come, love de-evolves into a sparring match
where my arms slump at my sides
as you angrily thrash the empty air
and wince at the specters you’ve painted over my face.
Me swallowing that I can’t wake you from this nightmare flailing
that more often hits only yourself.

So, I guess love — for now — is accepting your pain and fears
and knowing you soon will be gone —
even more than you are now.
And that it is something I can’t understand
and desire even less.

Perhaps, several years from now, you and I
can try this again.
And find what always was just there.
When life was sharing the next new experience
splashing across your face.

2007

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Depressing the Cat

I used to let my Son’s Cat sleep with me
like previous feline roommates I had before
meeting and divorcing his mother.
But my Son had rough-and-tumbled the Cat
since she was young. So when she grew up —
to 15 pounds — she held down a lot of ground
and took more, when she deemed it necessary.
Around 2, Xena started sharpening her claws on
and attacking my lump in her bed.
I responded by shutting her out
of the bedroom for a couple of nights.

My Son became a teen.
And started sharpening his claws.
I responded by shutting my door
for a couple of nights.
He responded by sometimes going
missing. Nothing
on the door’s other side.
Around 17, Michael did not return.
Xena moved into his room,
convincing herself she was glad
the Boy was gone.
But her eyes sought out mine
much more often. And she talked, sometimes,
where she had always been silent.

With pieces missing from my life, I remembered
old parts that I had known would never fit again.
I laid them over where my skin was missing
and they began to grow.
I found myself becoming a teen —
no longer certain of who or why I was.
But consumed by being whatever it was.
Xena felt the door being left closed.
Her steps took her nowhere
or to the back bedroom where she would lay
on my Son’s cold bed.
I had responded to the empty bed
by shutting my eyes. I would have shut the door,
but that seemed like giving up on the Son’s return.
And that would have denied the Cat
her last companion in the house.

One weekend, Xena went into hiding.
Glimpsing her just twice — slinking out for food or water —
I figured that we had finally done it:
Depressed the Cat.
Made her as clueless and detached as us.
At first, that spilled down my chest
and I retreated behind my door.
But the next morning, I realized what I had done.
From the corner of the kitchen loomed Xena’s mechanical nightmare —
the vacuum cleaner.
Whew! That cleared me of all charges, right?

A couple months later, I found the Cat
a new home.
It seems ex-wives and a son
have taught me too well
about being left and leaving.
Nowadays, they call it
letting go.

2008

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Nonrelativity speaking

time
Everything is obsolete so fast.
Is that from poor workmanship
or by greedy design?
Is it because of all the
plastic parts?
Or just our Attention-
Defi-
cit cul-
ture?
Where everything is stuff. Abandoned
like the memories of a relative, visited only once.
Before you were squared.

Part of it may be our contemporary times. When
it is a ruler. A succession
of identical increments. Each
with no name — just the specified
alignment of characters. Time
reduced to momentum. To keeping that digit moving
until the next-over digit
turns. Pushing, then rolling with hand
over hand — to click that tumbler until it
stops. And engages the next.

e
Is energy just another consumable? Or is it
a discovery? More than something dredged up
with the planet’s billion-year-old bones? Instead, everywhere —
all around us. And within us . . . Potential.
Poised.

But each of us are left to our own capacitance
or devices. Many have known it as static
since the last century. Preserved
in acid, with rusting metal plates and myths.

m, c
A lot of this seems to make life pre-packaged.
A commodity to be encoded
and archived. In an antiseptic process that’s precise,
but totally wrong.
Everything reduced to the measure of light
and three-and-a-half-hundred Earth days.
When each day contains moments immeasurable
with all the mass and light of the Universe. Moments
only asking to be weighed
on the scale of our hearts.

life
It’s not like we have anything else
that’s not depreciated by the turning digits.
Our heads down as the hollow click of another iterated digit slurrrs
from a march
to a lurch
to a drooooooooooooooooooone.
A monotone song where the notes
are issued numbers, inspected for errant overtones, then
filed away. Like hoarding tithes —
fitfully growing, then shrinking —
until we have enough to leave work,
watch our TV show,
catch up with the bills,
forget it all for awhile,
retire, or
fall asleep.

TRVTH
Even if it’s wrong,
I like the idea that each instant
is its own Big Bang.
Infinite possibilities
exploding in every direction.

At least it’s something to do
and keeps the media out of your head.
With each ending
becoming
a beginning.

2005, 2009

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Family dining out

She rummages through the handbag pockets and
folds of her mind — the dog-eared mementos
and day’s sticky-note events.
Browsing for something to drape over the silence:
too plain a setting for our restaurant table.
It seems to be some orthodoxy — that gatherings
be decored with dinnerware clatter and chipper chatter.
Whether it be friends or family or even strangers.
And like perhaps too much of our lives,
the repetition makes
it truth.

With youth’s inexperienced certainty,
that saddened me.
It seemed like a panicked child slapping the water to keep
from sinking in any silence.
Or like pushing a pair of smiling wax lips into a melted face.
With some education, it became a double-spaced
treatise on rituals of the previous generation.
But with all of the important footnotes
missing.

I can’t say. Maybe it is because words
are my business and I’ve seen too many of them wasted.
Maybe it is my age or my generation.
Or that I’ve come to believe it is the waiting
that makes the words more honest
to themselves.

2007, 2009

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Mesquites' needles have fallen

And now, their leaf stems and fingers. Bones,
hand fragments, and hypodermics
littering the ground. Everything drained
of its green — a brownscape
dissolving into the ground’s indifference.
Fitfully blown into twisted-carnage jumbles
as tangled as our racing minds
and scuffling urges.

It is just another low-desert Spring Fall.
The Mesquites’ rusted beams soon will spring
little leaks of green that become stems that sprout
two-sided fans of fingers. Holding
as much green as they can. Knowing
summer’s furnace has been ignited.

This place killed an ocean, several millennia ago.
But still. Each and every year, they reappear:
the Mesquite lances
of green’s last defenders.

2005, 2009

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Time Less

The night before a week off work, you think

          “Ahhh, a week off. Nice.
          But so short.”

And a dozen or more rascal instants scamper by —
giggling. Cutting up. Sticking out their tongues
at your self-seriousness.

But you are tired
and don’t notice.

The next morning stretches slowly
and purposely not observing, a moment
broadens to the horizon — a glacier
of silence and brisk clarity.
Its movement
unnoticed.

You happen upon the end of the week
and marvel at the expanse of soothing white
all around and before you.
And appreciate the place of not noticing.

2009

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Palm everyday

A hand opens. Exposes the wrinkled truth
worn into its face. The cracks that grow, inevitably,
in our flesh pitchers of woe. Where some veins
have collapsed from holding on to too much
for too long. Separations in clay
that simply became too dry
or too
old.

Another hand blossoms
and presses itself against the first hand:
Two grids criss-crossing each other’s lines.
Electricity
shorting and snapping where the junctions are raw.
Creating whole new circuits, virtual realities,
and compounds. Connections. Maybe
spilling enough current down the cracks to light
and warm the depths.

Maybe pry an opening or two in our skulls
to loose a childish antic for a short, silly dance
like incense on the breeze.
A parting of the darkness, at least for a little while.
If just a little while.

But that risks waking up some downtown honchos.
They certainly would love our slow processional
to the fixed trial. As certainly as they would ignore
the streets lined with open palms.
You know they would go for the spectacle. Those
big
gate
receipts.
And end the proceedings with the ritual lathering of hands:
of the People
by the People
and in spite of the People.
The bosses boosting and boosting the juice until
our wires are smoking. Bursting into flame. Tripping
the circuit-breakers that pour black
over everything.

But with the luck of life’s randomness
a seed or two might not fry, but get blown
to wash up on some unmapped relay. And put down
some roots. Short-out some circuits.
Poke a finger through the melted sand.
Fan out four more fingers. That bloom
into another palm.

2007, 2010

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Don't You Remind
(Before and after the song "Don't You Mind")

If you do not mind
in no time,
you may have none.

No mind. No time. Nothing.
Only scurrying from summary report to
detail addenda. One errand,
then another. From concern
to worry.


If you do not sense
your mind, it may not
make any.

Just chatter
that talks over any other thought that dares
to arise. Droning out daydreams.
Muffling reason.


If you do not feel
your mind, it may steal yours.

Any ignored sight, touch, or emotion remanded
to the encoded static of the mind’s
supplemental archive.
Nothing indexed, so
you cannot later stumble on it. So
the mind can play the fragments over
and over to distill the feelings.
Only to find each one
empty.


But your mind
does not mind. Well,
only some of the time.

It still waits for you
to come to mind.
And hopes you stay in touch,
if you do not mind.

April 2010, April 2011 (and a little 2012)

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Summer nears Phoenix

You can hear when it
gets close. The suburban roofs
pass a dial-tone lament among themselves.
The buzzzz hop-scotches between the roof tops
like contagious phones demanding to be hung up. Hoping
the dead air will soothe their fever.

This is before the clouds and birds flee
the daytime skies. Before late-season clouds
stop at the edges of the metropolitan slab,
afraid to enter until nearly dawn.

But it is a dry heat. Unless
you are downwind of one hundred or so
grafted lakes.

2011

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Dust and power outages

I love my sister. But she and I disagree about
dust and power outages.

I think she sees dust
as an encroacher. Something to be wiped
away and out.
Regularly.
Never allowed to
feel at home.

Maybe I am simply lazy. Or untidy.
But dust seems unavoidable.
Inevitable. Especially here
in the Southwest.
You can rub it off,
but it comes back. Starting immediately after
each pass of your dust cloth.

But, again, I am lazy. And a very dusty
defeatist.

Power outages just are not natural —
we Big-City people know. And they are rude.
But having recently joined my sister in the rural, high desert,
I am getting disagreeable again.

I am coming to see power outages like dust:
Just another piece of life. Particularly
during the monsoon season.
And a close cousin of Rain.

Dust and power outages simply are.
No agenda or schedule. No worry
about when they might
end.

2012

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From Scrapbook Number 12

The year 2010 spread out across the bed
in my youngest son’s old room. Photos,
clippings, and various stubs waiting to be attached
and captioned. Marking my first full year
of not having that son.

He had walked off the edge
of my world. Known only second-hand,
these last two years.
I had not followed him into that precipice,
but had seen it approaching.
I knew his fall would last
as long as I watched.

My son’s scrapbook pages often turn over
in my mind. But when I come to this year,
I will skip over his pages — too tired
to reenter his riptides of Confusion. Then, Sorrow.
Anger. I will save my last gasps
for any joy and hope that remains.

Anyway, I will have the documentation...
if I need it. And his myth will live on
among family and friends: Uncertain
of its meaning; Not seeing
any moral.

I continue my wait without wanting. To again be
his father who has always loved him.

2012

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Citiless sky

The Fall’s cold squeezes the moisture
out of the night air — sharpening the sky’s lens
like a knife on a holy mission.

Stars everywhere
flash like joints in an otherwise invisible mesh —
sifting the dark
for any dreams.

2012

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Cochise's ground

The ground down here does not like to be messed with.
Only a tenderfoot addresses it with a shovel.
It spits back rocks with every thrust of a spade —
blunting any attempt to probe it. Derisive of each jab.
Pounding the bones in your arms and shoulders
like the shovel’s pole was beating you.

The ground sneers, with little dirt for your efforts.
And if you keep trying,...
there is caliche...
for the slow learners.

2012

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Of uneven ground

I have left my home of 20 years
to end my days in this high desert of uneven ground.

I came from a city that broke the land long ago. That leveled it
for consistency. Tied it down
with grids and easements and branded it
with zoning tattoos.
There, the stars’ faint serenade
was seared away by thousands of burning wires
and the ground hummed constantly,
plugged into the same electricity.
Life was exciting and well-paid
and boxed within compromised hopes.

Down here, the wild grasses, creosote, and mesquite
out-number the buildings and streets. Many of the homes
have wandered off, to wrap the wildness around them
in a constantly changing blanket —
that takes no notice of them.
Buildings are pitched on land that rolls
like the shy rivers — rising, only to drop away
when you are not paying attention.
Some land pretends to conform, but stops abruptly —
throwing down murals of rock and lost roots
and dirt that has seen too many hard seasons.
Even when lonely buildings huddle together,
the desert claws washes through their straightened streets.
And the raw wilderness looms at every horizon —
like a beast about to pounce.
The streets understand. They shed their skins, after not many blocks,
to growl at any who travel them.

Deer, javelina, and other natives wander the land
that I am told I own. They have lived here for generations
and ignore the house as lifeless debris.
For many nights, I stood out back — stripped
of my empty purpose and stuttering
at my new account numbers.
Thinking that might protect me.
The bottomless dark just breathed —
rustling branches that sometimes hid nearby steps.

I was an alien
on another planet.

It might have been the breezes
in the late afternoon — almost cold,
from the darkness just over the horizon. They kept whispering —
sometimes sternly — until I thought
I heard something.
But somehow — after a couple months — I started wondering
if I was the uneven one —
cut off too long from the voices of branches
and the simplicity of unseen steps.

I put my ear into the wind
and wait for another lesson.

2012

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Farewell farewell

I had hoped to be there, for the next time you
stumbled over me. When maybe
the back-room belittling in your head
got quiet enough for you to hear
your own voice.

I have made that move to the country, for the cave
with my hoarded silence. Hoping to follow the echoes
to a voice worthy of unspoken words.

I am sorry. I never knew when another goodbye
would be your last. Or if you would know either.
It probably is best that our last farewell
passed unrecognized — its empty arms,
your familiar embrace.

2007, 2013

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Winter Cottonwoods

The last of Fall’s Cottonwood leaves have dropped
their brittle applause and lie in crackly petticoat layers
below branch scaffolding.

From a distance, the scribbled line of trees
settles into a gray cloud clinging to the river.
Up close, sunlight sparkles on a turquoise lake
inverted above us and bleached branches flash
like crests on waves.

Facing the setting sun, glare
drains all color. Sight, a black-and-white negative:
limbs now cracks
in a white void.

2014

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River face sea

Face wobbling on the river. A puzzle portrait
whose pieces teeter and bob on their own,
undisclosed axes. Eyes jerking about to avoid ours. As if
distracted. Or memorizing one last long look before
getting pushed downstream. Replaced by the next
snapshot falling back to sea.

Could be a tour stop for faces, pressing themselves
against the inner surface of the looking glass. Smiling
for us locals, but tossing out no revelations. Never
saying anything.
The water is no help. It remembers nothing and its images
soon leak through fingers and garble
the next shot on the reel.

Maybe the faces have nothing to say, waiting
for the whole story. Or maybe they are just
jerking us around in return. Maybe the sea
does not want us back.

2014

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River daydreams

Monsoon season is coming to the San Pedro.
And the river knows it — chattering
down its half-empty burrow. Knowing soon
the air will drip green.

Under the Cottonwood obelisks, the water pulls on
a shimmering-green coat — mirroring the vaulted ceiling.
Slithering through underbrush, the river tugs
at memories bobbing from pounding rains.
When brown seas growled over the banks
the San Pedro — never dammed — now
has come to accept.

2014

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Die head

Dice roll around in our heads while
we sleep. They spill out when we rise —
all bets standing from last night.

Crapping out now
could lose the whole day. Unless
we are dreaming.

2014

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Buzzard spring

The stumbling wall of cottonwoods is green
again. A tsunami rooted along the buried
Babocomari River. Calling birds from linked
continents and beyond.

Turkey vultures arrive early.

When morning coils of hot air rise, twenty or more buzzards
jump on ring after ring of invisible perches. Black dots
that outline a spiral shrinking
into the ground.

As sunset nears, the dogs and I go down to the river ghosts’
sand trail. Where trees bully close together on both shoulders
of the riverbed, one of the dogs snaps a branch.
A gust unfurls as dozens of buzzards leap
into the sky. Black-and-white kites cut loose
from the green dome.

2014

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Poles apart

Utility poles get lonely, out here
in the country. With their voices gone
to cellular phones, they carry only current
and electrically switched ones and zeroes.
Posted among scrub. No pavement. No curbs. No
light of another pole.

Most poles have forgotten their long,
evergreen coats. Being one in a sea that flows
beyond the horizon. Arms pumping
like flying. Whispers rising
into waves. Everything written
into their hearts — chapter
embracing chapter.

Though shaved to a smooth purpose, the sentries still
have their stories. Their feet back in earth.
We see only faceless totems shouldering wires
servicing our virtual needs. But when those lines
fall silent, will any words remain
in our hearts?

2014

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Ten extra seconds

The state makes highway drivers slow
ten miles per hour, when they run
over our illegitimate town.
There is not enough money here
to slow the wheels of progress. Ten extra seconds
is all we're worth.

Maybe if we incorporated, we could afford
more time. But around here, any time
left in a pocket is not
cashed out.

2014

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Merry Corpsemás (en Junio)

Dead tree with bleached-concrete limbs twisting
against hollow sky. Hunch-shouldered vultures
hung on branches.

These ornaments do not shine. They swallow
light and wait on the desert
bearing gifts.

2014

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Riverbed current

The narrow forest of eighty-foot cottonwoods
wanders scrubby high desert. A tented caravan
following the worn path of the lost
Babocomari River.

Inside, grass waves overflow the riverbed, slapping piers
that shrink into sky. A sky narrowing into a stream
that follows breaks in the canopy. Sometimes
hiding. Sometimes dipping a face through the leaves —
mugging Picasso shapes.

We here — with feet in sand — we
are the river.

2014

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Transit stop

It lures people in — with its supposed predictability.
Workday routine dulling the cargo to the deception.
Then scatters them about the ground. Promising
to take them back.

At end of shift, it withdraws them. Redeposits them
where they started. Knowing
they have to return.

2014

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Words and people

Words are no different than people. Changing
their story, when the need arises. Appended
with how they’re heard by those around them. Compliant
with the rules of the day.
Evolving or deprecated, their line of revisions
dissolving into ghosts.

People change quicker than words. But then,
they create the words. More things in their own image.
Many fashioned out of nothing.
Words live to serve people who don’t know
their meanings. Who let common usage rewrite their
purpose and history.

Words are less distracted than people.

2014

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Unanswered calls

Dearest friend — not fully trusted. Just
too many years.
Shared lives — a long, deep
embrace. Age and injuries weakening
the grip. Forgetting the times.

Much simpler — when young. Life seen
in the mirror of our eyes. Before learning
and fearing lies.

Times now — when will cannot move limb.
When unanswered calls wander the air, ringing
slowly dimming
to silence.

2014

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Stark against blankness

Repeated slaps of winter wind have stripped
cottonwoods huddled along the riverbed. Among the trees,
limbs of soft-focus gray mist into the backdrop
of cloud flannel.
School-chum trees, trunks not yet scabbed,
mime that they’re aspen in slender,
white gowns. Their paleness stark
against blankness.

2014

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Ground in winter

Hordes of four-foot-tall weeds overran
the wild lands in late monsoon. Their maces
buried themselves in everything within reach. Heads
severing from their branch chains, so the spikes
sank deeper. Skewers curling
when they pierced flesh.

But with winter, the rains have retreated
underground. And conquerors become scarecrow
stalks from which dominion has drained
back into earth.

2014

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Half and hardball hugs

In the late 1950s and black-and-white dusk
of a midwestern backyard. The first times
I can remember. That hollow pop of a baseball
snapping into pounded leather. A piston stroke echoing
through unfenced yards. Nudging
the soft snoring from Avenue G.

Watching the ball sail from Dad’s hand. Arched
with his trials and errors of three and a half decades.
Thrown to me. With his intention and muscled
joy. Our generation’s rite of father-son apprenticeship
with dads going off to jobs and homes no longer
paying the mortgage or partnering father and son.
More of me can be there, now. That splash of pain
in palm — when my catch missed the webbing — seen
as part of the lesson and its toll of flesh.
Like Dad’s dinner-table roasts: Pokes in the ribs,
from the heart. His graceful sweeping of my throw
into his boyhood mitt.

I can’t remember our words, but know I felt — more so
now — somehow embraced. I would have had few words,
back then, and probably dropped any from him. I had none,
when I became his age and he retired. Me temporarily
at home and Mom having left, again. Maybe reminding Dad
of his chopped-off fathering — dad leaving
for a city job. Mom and sisters gone and patriarch taking the bench.
Guess it was my turn to coach. Arms unafraid
to hold, but finding my champion soft and bony. Wondering
if I had not known him and confused by his new words. Hug
seeming half-empty. Me hoping, probably like he had,
that it was the best I could do.

2015

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Wall reflection

That pattern on a familiar wall — that meanders
slowly into the same image. Like an old friend’s words
returning to dog-eared pages. Feeling
settled.

Like dawn horizon taking a deep breath and
pausing. No sound, no motion. Everything simply
here.

Back-of-head commentator and judge-and-jury choir
gone. Only you and reflection. Finding
now.

2015

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Wood-stove ascension

Fire flares from a log, freeing summer days
when sunlight toasted its bark and leaves. When the tree
knew it would live forever. Radiating
passion that grips soil in deep hands and breathes
air into sky.

Flames flicker its family movie — fluttering
and snapping with joys and sorrows. Smoke curls
rings of seasons past and weaves them
up a hollow trunk narrowing
to a point of light.

From rooftop, a life unfurls, thins to unseen,
and descends among trees. A spirit nourishing those
still bound to earth.

2015

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Spring training

Spring has sprinkled young birds on awakening
branches — tree limbs testing tendons stiff
from off-season. Sap-wakened fingers flick the birds
like joy unable to sit still. Hand-tossing them higher,
touch relearns the caress of seams.

Mesquite Tree has a slider that jumps
and dives with jerks in speed. Like spasms
of adolescent attention. Desert Willow
is young, with no arm. Still deciding whether
to be a tree or bush.

You know where the rookie is headed.

2015

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Roads without edges

In the country, most roads are dirt and cross each other
without formalities. Just nods to acknowledge
another direction. No names exchanged. No destinations
heralded. Edges and limits unspecified
like with the land of most neighbors.

People seeing no need and the authorities
no assets.

          Almost like before we created Government to defend us
          from ourselves. Before the Law was ruled
          Creator of People.

Here, roads run free and naked. Many unauthorized. Prone
to roaming and eroding whims. Some sink back into wildlands,
having lost their reason — the jurisdiction
never hearing their names.

          But eventually we run into pavement and get lured
          back to the lights and plotted streets. Where edges and limits
          reign from offices in unknown locations.

Will the offices return to wildlands
if they lose their reason?

2015

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Patio nihilists

The late-afternoon breeze was friskier
than its usual, serene self. Blowing up the dresses
of leafy trees. Shoving some burly trunks as if
looking for a scuffle.

Behind the taming chain-link, cobblestones remained
aligned and indifferent. But the plastic furniture grew more
and more brittle.

They know these raw materials will be buried,
in a planetary wink, leaving winds with nothing
to justify themselves. Organic matter choked
lifeless. Compressed into oil.

To be boiled down to plastic.

2015

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Box of shadows

Ball-headed straight pins — buoys at the corners
of relics floating on a black sea. Jetsam washed up
from the unlit gallery in the back of our heads. Specimens
crucified for the whispering fears or regrets
that hide beneath them. More myth
than fact.

Shadows poured into a box and sealed behind glass
to keep out time’s dust. Surface glancing light
of home fires on far, dark shores. Tide
crawling in, then out. Unseen,
unheard.

2015

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Borders of Day and Night

Sundown erects a line, splitting Earth. In front,
Day. Behind, Night.
Black tides seep ahead where peaks
and other silhouettes stand taller. In waters
that swallow reflections.
Mountains lock shoulders, damming a sea of light
that recedes slower than can be seen. Course
never changing.

It leans into line, fixed on the horizon. Not seeing
the opposite confluence has no border. Simply light
blending black to gray that dissipates
to illumination.

It can’t see the dance of Day and Night: touching
fingertips and entwining bodies in early dawn. That Night
washes up its other shore buoying
a new Day.

2015

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Dirt knows better

Earth learned long ago that exasperation
is only tiring. We recent occupants — conversely —
gnaw on it. Boil it down, to wield
for advantage.

And market it to any
seeming idle.

2015

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Housework through science

House-cleaning ignores science. Archeology knows
where native dwellings are found:
Under layer upon layer of dirt. Sure,
methodical tidiness glistens of duty
and progress. But which artifacts survive?
Basic geology: Earth doesn’t stop
making dirt.

Nature stirs up these messes in outbursts
from her puttering. A similar cleaning schedule
seems only appropriate. Who are we to question
the spheres of planetology?

Besides, nagging dust shuts up
when it doesn’t know when you’re coming.

2015

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Learning with winds

It had to have been those sneaky, late-afternoon
breezes — that first fall in high desert. Almost cold,
coming from darkness crouched behind the mountains. Whispering,
sometimes losing patience and building to an insistent
but civil exhale. Nudging branches to flap
arms for my attention. Or subtly
mime their disbelief.

Winds here are easy to misread. Especially for city folk
not used to unprocessed lands and forces that know
we are their guests.
Air needs listening as friend. Holding each word and silence
to feel its gentle beating.

We forget they’ve roamed land and sea. All four corners,
before drawn. Touching places never to be seen. Reaching
to the edge of their extinction.
Heady stuff when you can’t grasp
earth or water.

It must have been while night seeped up the back slopes
of the Whetstones. Hearing leaves take a breath and steps
unseen but true. Learning to turn face away
from the howling and point ear
into their voice. Baring stillness
and another lesson.

2015

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Cloudy with chance of oblivion

Low-flying cloud snags on a mesquite — staggering
a nearby ash with laughter. Ground is stunned
to stillness. Other clouds
freeze their shape and continue gliding
and pretending not to notice
or move.

Mesquites can’t be bothered — head-down survivors
fixed on conquest and hoarding their green. Growing
over neighbors, even family.
And themselves.

To them, anything lagging behind
never exists.

2015

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Add water and alchemy

Cold turned stone has worked its alchemy
on cottonwoods along the buried Babocomari. Gold
shimmers and exhales softly along a narrow vein
panned from a couple miles of sand.

The winding glow stands above mud-brown
and black brush and trees smudged in the depths
of chapped air. Their colors migrated
underground in search of water
that may never return.

2015

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Triangles and circles

Hastate: Shape become weaponized. Triangle
sharpened and chiseled on both sides. Pointed
for conquest and winged for range. Humanity’s
first distance killer. Loosed at enemies
never met — their being never
to be known.

Progress: Honing stone until it can sear
whole regions of planet — without us seeing
what we’ve done. The poison on our planet
and blood on our hands.

Reverie: Early man choosing circles, not triangles.
With no sides or edges to give or take offense
or life. A form welcoming touch
from any side. Embracing
all of us.

2016

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As dads do

Forgiveness can die without being asked for — withering
from lack of realization and caring. Any offered, falling —
unsewn — on concrete.

Your three-year-old face peeks from inside
this twenty-fifth edition — reminding me of tiny head
nudging against my lonely hour caress. Palms
nightly cupping your growing crown — calming
dream storms to a sigh breeze.

Your gatling words jerk from a skull grown
to lose voices and echoes you talk over. So many
lost days we could have listened together, comforted
myths and mistakes, and learned touch
as more than sleight of hand.

I’ve waited six years and will continue as long
as dads do — for you to find the piece of heart
I planted in yours. Memories will keep
forgiveness blooming until you
catch its fragrance.

2016

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Night tide

Sun sinks below Earth’s tideline, west
of these Huachuca Mountains. From other shore,
Moon calls shadows from tall pine and juniper
that stretch away from weakening breezes of light —
dark seekers climbing to merge and fill canyons
with pools of night.

Black waters rise over everything — reflecting
a twinkling dome of evergreen dreams.

2016

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Poetestor without a cause
(To Richard Shelton and William Stafford)

My college poetry teacher wrote me
Read more.
I heard that as
Stop writing.
But I could have misread between lines
life had cut in his face.

Ruleless and unruly, I kept on alone —
not reading him closely. Nor any others
whose words seemed buried in the page.
Wrapped in the desert, my voice wandered out
into the scrub and washes. Lost words
came back with broad rhythms tip-toeing
over the ground and up,
inside me.

Words led to their unspoken lives and a voice —
plain and earnest as Kansas — whose fearless heart
kept me true to my words.
Two careers later, I hung up words’ faces
and followed their hearts. But the voice was gone —
with no others seeming to
embrace their words.

Wiser eyes returned to my teacher’s
first book, where pages howled The untamed
are still out there.

My words still don’t circulate
with known ones. But I’m content
these will have me.

2016

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Hear thyself

Talking to yourselves is not so
unusual. Not necessarily unhealthy —
unless you argue a lot.
Disagreements are to be expected. And the voices
switch speakers and direction wilder
than the winds.

I find it best to remain civil. And not hold
grudges. That avoids skipping-record scoldings
and wagging fingers.
With no back-seat inquisitors, sour-charcoal billows
part and frightened voices
venture out — commentary no longer talking over
their wounds in hiding.

It takes work, but give it time and — most of all —
kindness. They and discovery
will guide you.

2016

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Not puzzling

Old friends gather like recollected pieces
of a worn jigsaw puzzle. Long-shared edges
easing together without thought —
as if never separated.

A few words or only a gesture
making everything snug.

2017, 2005

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Servile air

Few people remember
“dead” air.
When infant TV and adolescent radio paused
in the early mornings. Giving air
a breather.

Some TV channels still screamed at us
and targeted our screens in traceable
crosshairs. Others shook our boxes — rustling
gray sand over monitors, so nothing
could be seen. Cranking up the hissing,
so none would watch
for free.

Airwaves no longer get time
or holidays off — more full-time serfs
of the American Nightmare. Enriching
pockets of prosperity by feeding us dreams
or fears. Squeezed into phones, slapped
on walls, and implanted in an appliance
near you.

Few people remember
silence.
Some try to mimic it —
tuning in unsold frequencies, so eyes
can close. And ears can get as close to it
as they understand.

2017, 2005

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Dusk

Dusk is a back road where logic
steps off the edge, into black. Losing
its certainty.
Shapes shift slowly — skewed by mean-spirited ghosts
escaped from mind’s twilight. Steps
sound untaken or as if those of others. Maybe
from a dream.

It’s void embracing emptiness — cold
to the touch. When we recede
into darkness.

2017

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Plagiarizing nature

Winds have no words
of their own. Winding themselves through others —
they coax songs of secrets, sorrows, or bluster.
Clouds have no form
of their own. Gathering what’s held by others —
sculpting mists.

Winds need say nothing
of their own — voicing words grown and resewn
over unwritten centuries.
Clouds transcend form —
cooling winds to water
life below.

What words haven’t come
from winds or clouds?

2017

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Warm decor

Sun focuses on the pattern
in the carpet. Warming
to the idea of the design
in its winter home.

2017

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A dream, maybe

Late in our years, the line between dreaming
and waking thins to uncertainty. Mind
with one foot in bed and the other . .  .
The other . .  . Thoughts either playing daytime movies
as old as us or ad-libbed scripts jerking
between familiar fears and memories
that may not be true.

Blinding TV lights enflame the colors, but flatten air
and life out of each scene — lost pages not needed
for the rutted plot that never seems
to move. The horror or farcical
sitcom that we’re certain can’t be
our waking dream.

2017

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Shadowmaker

A low vulture’s shadow ripples
over the tops of trees — sinking
to lower branches where arms
are parted. Puddling, then streaming
where ground is burned bare.
Fleeting foreshadow of night — crouched
behind the eastern edge
of the sky inferno.

Locals know better than to look up. Moving
is enough to spare them.
And glimpsing the siren’s glare could entrance,
lose you in madness. Rob your light and beckon
the Shadowmaker.

2017

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Hating ignorance

Life churns up contradictions and improbabilities
so regularly, facts end up arguing. Thought
stalling. Living gleefully upends certainties. Giggling
at each new exception.

Majority thinking doesn’t help. Spending less time
thinking than ensuring everyone agrees. Ruled
by fables our minds have whispered
since before cognition. Purchased discourse
is worse and priced the inverse
of its likely truth. Its repeated
repeated words no more true
than their unknown speakers.

Still, some TRVTH seems possible. Like: Murder
is wrong
. Yet some disagree. Maybe frightened
of any certainty. Or unable to listen
over the chanted rites. Maybe it’s greed, arrogance,
or simply ignorance. None open to reason
and hiding their own.

How can we hate someone
we don’t know?
How can we hate someone
who doesn’t know?
How can hate hurt anyone
but ourselves?

2017

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Origins of smoke

Soiled air — with poor personal hygiene.
Coughing from a choking campfire.
Spell cast by political alchemists.
Tribal language conjured by a bruja.
Confusion or sorrow leaking
from a mind.
Sobs of wild brush and trees dying
in coal graves.
Sighs from a family firepit —
greeting dawn.
Memories smoldering
in a home’s remains.

2017

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Apache monsoon dream

Waking — deep in monsoon night — wool darkness
gushing through encircling windows. Black,
shimmerless lake outside smothering
day's rampaging torrents of green. Faint
ground lights hint of bottom-dwellers
wavering through twisting lenses.
Oscillating floor fan exhales softly. Cool,
moist breath teasing shoulders. Fleeing —
as swamp-air tide submerges everything
in sultry shallows.

Fan-blades hum — chopping whispers
bobbing to the surface. Fragments
sometimes almost discernable — then
other-worldly. Songs of Apache ghosts
bubbling up from the past? Incantations
from a drowned bruja?

Orphaned relics
washed ashore dreams
in these wildlands.

2017

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Boulders know

Moving large rocks puts everything back
into perspective. Shoulders and tailbone ratcheted
lower and lower. Muscle and bone
clenching. Lungs clawing
for air.
Reminding how simple
everything is.

This is real.

Brings renewed respect for the gravity
of things: Large boulders — mountain pebbles
broken off and scattered.
Moved — to bring order —
by a species only recently
expelled by the sea.

This will pass.

2017

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Settling

Everything gets settled —
eventually. Even if the agreement
is to accept the unsettled.
That settles a lot of dust —
better used as pigment brushed
across sunset skies.

My body has settled two inches. Meaning
I’m denser. Eventually
I’ll sink back into the ground — reclaimed
and recycled. More mulch for this strata
of planetary record.

Hopefully settling, beforehand, on what
my unspoken voices know.

2017

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Gods of the River

Before it was a saint, the San Pedro River
was divine in its bounty. Before it
had a name, it was blessed
by every bird and beast
for hundreds of miles.

Humans came under its care and worshipped
its generosity. Feared its wrath. Immersed
themselves in it and gave thanks. River accepted
all who came — even those
bringing other gods.

Old-World man arrived and christened River
for a god he brought. He came to maintain it
and that river still runs free. Ignoring when
it dwindles below ground.
River now product — piped to strangers
who don’t know its
sacred centuries.

Man now god of the river.

2017

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Sensesless fear

It crawls, ever so
slowly — up the spine. Needling skin.
Brittling bone. Tightening throat —
to choke off words
and air.

Pounding breath deafens
and struggles to catch
racing heart. Thought
staggers behind — senses slipping
through numbed fingers.

Total paralysis spasms
with fears buried over millenniums.
Ghosts fume from within. Encircle.
And wait
to feast on the wounds
of dark memory.

2017

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Winter diorama

Bare branches are again sprouting
bird buds. Bundles of clenched feathers crouched
against slapping wind. Flat sky
pressed behind.

Most buds look dormant. A couple quiver
as if about to pop. One hops
to a more prominent stem.

Leaves will again curtain
this exhibit. Specimens having bloomed
and taken flight.

2018

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Words and seasons

Words have their own seasons. Spring —
bursting from earth and air. Fall —
growing deeper, gripping soil
buried long ago.

Winter — chapping in silence. Fallowing
in bedded earth. Summer — trickling
down sweaty arms.

Not ruled by the sun. Defying
will and reason.

2018

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Hungry hands

Hungry hands open. Wait
for words to fall — sprinkling
lifetimes everywhere.
Palms empty. Watch
syllables poke through ground. Fingers
pointing back at their mother. Arms
spreading in life embrace. Faces
open to all.

Hands relax. Anticipate
the grasp of supple waists. The dance
across the page. Planting seeds in this
gift from a tree.

2018

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Probably days

Some days are like new shoes. Tight
and complaining. Probably self-pitying.
Probably for no reason.

Other days will console. Some
will require listening. Mostly,
they need wearing in.

2018

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Letters from friends

Words are old friends who never quit
changing. Never tire of
reexplaining. Sharing the myths
of definitions. The tales
of forgotten meanings.

They are good friends. Patient
and forgiving. Never offended
by my tinkerings and misuse. Pausing —
not infrequently — for my
slow hand and mind.

Sometimes I leave them —
needing quiet. They understand —
having lived many lives. Before
and, eventually, after man.

Their joy and wonder always
coax me back. Sweet voices whispering,
so I have to be still. And realize
I never left.

2018

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In full sight

Looking deeper into your hand
penetrates nothing. Not the lines
of your life. The copied DNA
in your blood.

We can’t see much
of what’s really important. It’s vision
of heart and mind
that perceives.

Too often, chattering and confusion
cloud sight. Obscure
what’s always been there.

2018

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Living at tree speed

Seconds — as a benchmark — exude
certainty. Precision. Irrefutability.
But all sentients have their own
measure of passage.
Who’s to say what increment
is sewn in the fabric of time?

Seconds seem too self-assured. Inviting
micro-management and second-guessing.
I side with trees. Not sweating
the small stuff. Blowing by minutia
that twists and squanders time. And talks
over ancients whispers
spoken too slowly.

Imagine seeing a seedling slowly
poke through ground. Rise to sun-tilted sky —
light pulsing like a heart.
Watching bushes and trees play
hide-and-seek — shifting places,
during the longer patches of dark.
Structures growing unsustainably
fast. Toppling
under their haste.

Four segments
— with cosmos-shifting markers —
is enough regimentation
for this old sapling.

2018

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Patio sentinel
(To Luchador)

Stationed at patio’s forward edge —
in assured, library-lion repose —
he scans our high-desert wildland.
Stern face unable to mask the innocence
and confusion of a teenage Heeler.

Lips clench in a straight line
as he braces for what he knows
is out there.
Not yet embracing
what’s seen.
Still fearing
what’s not.

2018

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My Puppy Ate This
(To Carmela)

Well,
an earlier draft.

I don’t think she was giving me
an editor’s jab. She only knows
a few words. “Come.”
“Sit.” “Chow Time.”

The all-too-familiar
“No.”

She’s wiggly joy and affection, but has absolutely
no taste. She clears her palate
by chewing rocks. And follows that
with a poop pâté.

Though these observations are
self-serving, I think they prove her final reading
of this poem was only
a biological function.

2018

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Fear sleep

He never let himself sleep
very long. Fearing he might get lost
in all that darkness. The depths
tricking him into believing. Him forgetting
to hold his breath. To go up
for daylight.

He had long suspected
black-on-black silhouettes
baubled with his dreams. Seeping
into daytime hours. Eventually
to replace him.

He wonders if this is
a dream. Maybe a dream
within a dream. Afraid
to wake up.

2019

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Mourning dove song

Mourning dove song echoes off wooden planks
down a long echoes box. Hollow, gray voices
emerge hollow. Masked in dusk. Aged
in dusk sorrow.

Melody choked by pleading. Repeating.
Awaiting another to join. Completing
the phrase.

Eulogy not of death. As long
as it is sung.

2019

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Pay no mind. Lease, with option.

Minds don’t kill. People
kill minds.
Brains have no alibi nor idea
what’s in mind.
Subconsciousness took charge
millennia ago.

Why should brains know any more
than us? Sure, they’ve been working
that sentience thing since they stopped
peeing in public. But they too
have monkeyed minds. Chattering from deep
in ancient caves. Whispers only the voices
and echoes
can hear.

By the time we’ve tripped
over a few realities, it’s dawning
how little we say
has been minded.
Memories and thoughts — many
probably wrong. Relegated to lost
maze walls. Plastered with family photos —
slightly off-focus. Spray-painted
with sorrow or fear.

2019

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Night-monsoon morning

Dawn brightens cautiously. Dimmed
by exhausted clouds still stunned
from last night’s rage.
With summer’s fierce sun soothed,
colors rise up plants from ground
oozing dank-earth incense.

Aged mesquites — bent by their black — cower
stripped of their sun-glare veils. Trunks
baring scabs and gashes. Reminders
of past rampages.

Cicadas have nightly sung this tale
of bounty and privation. Since seas fled
and these twisting medusas rose
from forsaken beds.

Last night’s audience rouses the players
who clap castanets
in ovation prestissimo.

2019

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Projectionist of my dreams

Bent and bitter. With the unworldliness
of a child. The projectionist of my dreams.
Bent from too many burdens real
and imagined. Bitter from wrongs invented
or carried too long.
In a cellar corner booth
whose walls smother all sound. Except
the drone of the daily log
being redacted.

He’s probably 90, but still
a child. Thinned by age
and guilt. With Dad’s stubbled,
Sunday-morning face. Theater jacket dusty
and smelling of stale popcorn
and Kent cigarettes.
Projector’s small window clouded
by cigarette film and child confusion.
Hatch opened only after daytime dreams
have drained their batteries. And dark’s uncertainties
invalidated everything.

Features are short. Scripts tired.
Often, unmemorable.
Maybe he’s written-out
or bored. Even scars can fade
into backstory. If you have
enough compulsion.
Caressed by old celluloid, his scenes
splice disparate films. The Last Believer
of Happy Endings. Plots hiding the rhythm
of fidgeting tics tapping
tapping
on clasped portal.

At least we’ve returned to going
the same direction. Me returning
to childhood. Hopefully with a few
worthy artifacts. He still clinging
to the womb and Big Bang
that created us. Before he quit
trusting me. And I started
ignoring him.

2019

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Smart aleck

Smart fone. Smart wi-fi speaker. Smart
vehicle and toilet. But not yet smart
electorate.
Maybe we’re just inattentive. Or deaf
to truth spoken
and grounded within.

Leading to following leaders
who follow
our lapses in smart.

2019

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Half-hearted

The bank manager was typing
my relevant alpha-numerics
into a New-Account form. Deposing me
for each client-mined datum
of another electrified soul shuffled
among syndicates of servers.
She was pleasant and free —
it being a slow morning.
I being retired and unpriced —
am slow by nature.

When we reached Marital Status,
I extraneously disclosed three divorces.
She was professionally unshocked. But sees mergers
dissolve every day.
I tendered the old alibi about men’s brain physiology
traditionally delaying
interpersonal returns.

She wasn’t buying it.

Our agreement was lasting marriages
are as much about luck —
as consignee accounting.
Each prospectus unfathomable even after
the dice come to rest.
She had divested once, but depreciated
grandchildren.
I’m transferring romance funds
to human-equity bonds.

I don’t think she posted that
as a credit.

2019

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Feral iron

Old barbed wire untwisted. Contorted
by the elements and unwary. Separated strands
now rusting veins
eaten away slowly
by indifferent rains.
Skin reduced to
orange powder.

Iron broken eventually
like even mountains and our
unnatural inventions.

A wounded guardian forsaken. Forgotten.
With brown sores leaking blood
from deep inside the earth.

2019

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Better not said

.


2019

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Day calendar

Calendar pages
can slow their step. Even
if only from fatigue.
To be more than
an enumeration. More than
another of the same.
COUNT. TICK. COUNT
not lulling them into waiting
to be turned.

Fresh eyes
greeting this today
as the First.
Touch gliding over
smooth paper. Winds building nearer
each edge.

Heart
leaping into space surrounding
embracing
each page.

2019

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Clouds become the man

Becoming a man of clouds. And cooler
temperatures. Dusk,
not dawn. With light less
zealous. Colors
deeper in earth. Scent
moist.

With no voices
muting the land.

2019

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Manicured towns

High desert knows how to tend
small towns. Snipping streets
after a few blocks.
Letting trapped plants breathe
wild air. And winds pretend nothing’s
on the land.

Having contained these blotches
of asphalt and right angles,
natives rest easier.
But some patches can’t resist
peeking down streets. Some wildlife
trace washes crawling
and twisting at whim
through town.

Looming horizons warn towns
who rules these lands. But neither nature
nor towns will outlast
the land.

2019

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Late winter's misers

Months ago
winter spread its cold blanket
over everything.
Only now
miserly mesquites
are closing shop.

Fiscal year
income totaled and checked. Each new posting
only another loss.
Leaves single stems with each side
a column of fingers. Paying out one
one by one.

Now
shadow arms bared. Contorting
in lamentation. Cracking
porcelain sky.
Or hunkering below
in hollows. Blackened
muddy ponds.

2019

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'Mind' in 'File' folder

My mind sometimes misfiles stuff.
Putting an experience under
Diversion. When it was really
Life Lesson.
That upends everything. Skews
the horizon. Changes
the meanings of words.

But filing —
as any indexed datum knows —
is an organic process. Labels
written in pencil. For
a reason.

2019

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Mirror ||

Double-paned mirror
reflecting upon itself.
Portrait in lateral sections
some misaligned or stacked
out of order.
A jarring puzzle
vaguely familiar.

| |
| |
| |
| |
| |
| |
| |
| |

Mirror doubled over in pain
self on it reflected up.
Sections interlaced, defaced.
Stack out of line
disorder some missed.
Familiar yet ajar.
Puzzlingly vague.

2019

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Falling...

When flannel darkness seeps
into our heads, fancy
can flutter
on the updrafts
of silence.

2019

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Exchange and Repository words

Exchange-Only words
Handled words wear smooth
from innumerable exchanges. Devalued
to one, mass-coined meaning.
Worth, negligible. Return,
left uncounted.

Repository words
Saved words stay close
to the chest. Resting
against the heart. Beating steadily
in time — as best they can. Definitions
shifting with how each word is held
up to the light.
Tip-toeing through silence
or rising on the back of a silk breeze
brushing an ear.

Neither leave
a footprint.
Passing a rhythm
to another heart.

2019

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Feral electricity

Energy by nature. No
carbon footprint.
No design or agenda. Not even
a marketing plan.
Arching its back and hissing. Sometimes
bellowing like a howitzer.

Anxious and angry to come inside —
out of the rain. Jealous of that easy life
with glistening conductors and snug jackets.
And no jerking about wildly
every split second.

But it is feral and loves
its freedom. And has seen human
erraticness.

2022

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Mesquite winter

Encircled by twisting mesquites — entangled
in gangs of thickets. Who know
they’re wearing me down.
Making me another
contorted soul.

Now in winter, I too hoard my green. And ignore
the elements. As if clenched will can upend
an ancient cycle. That Apache raids of Spring winds
can elude Winter’s brittle days —
that grow with the darkness.

When the inevitable
becomes cruel.

2022

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Yes, again

Has it been that long
already? That I'm back where the trail
runs thin. And uncertainty whispers
in the scrub.

No words in my pockets. And doubting
the value of any I might find. Seeing the horizon
as what’s been forgotten, from behind me.

Wondering if poetry is what pioneers
were too resilient to write down. Asking
if words need me
to stand them in line.

Words. Yes, that was it. Their tales
and patience. Knowing they'd be
left behind.

Me ignoring mileposts
until they were passed. Wondering if I missed
the last one.

Wait. It’s not the words. Nor
the mileposts. It’s
the journey.

Still.

2022

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Right Read

Life written as poetry. Rhythmic. But
without reason or rhyme.
Words left unrecorded. Dissolving
into a mute breeze that wanders
off. Aimless.

Life read as written. No edits
or second-guessing. Words tucked
in right, inner pocket. Where they seep
deep in the chest. Seeds that will
sprout tomorrow.

2022

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The

is an egotistical — yet ironically —
worthless word. With back stiffened straight.
And perspective narrowed
to today’s attention span.

Duct-taped on front of anything
that’s not moving. Boilerplate of obviousness —
never read. Its presence sufficient
of itself.

Any word that follows it — by protocol —
is supreme. Without peer. Or examination. Esteemed as
an article of fanfare.

                            — ( ) End —

2022

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Final curtain

Ritual paint on face — gaslight makeup
to soften the light and glares. One last
dose of preservatives. For closeups
and the nosey.

Main character as mime — reclined
for thorough viewing. Laid out
like the map of a life.
Whose legend is missing
and known by few.

Dad’s rarely worn glasses were put on
as if that could mask his
decades of mischief. None knowing
that was the face seen only
by his fears.

2022

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Mesquite dreams

Spring came early. Snoring mesquites
couldn’t care less. They had been the last
to bow to winter. As all life retreated
underground. Scrub expanses brittling
into jaundice and plaster stalks.

They’ve always been late-sleepers — entranced
by thicket fairies and deep-rooted tales
whispered under black-scale covers.
But now heat has awakened branches —
pulsing with thinned sap. Sweetened
with winter dreams.

2022-3

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Another word (poem)

A word
by any other spelling. Remains uncertain.
Dodging between definitions
so it has an alibi —
at the drop of a conjunction.

Some words
keep to themselves. Too scholarly
to be used. Losing
their meaning.

Too many words
are full of themselves. Illogically spelled.
Unpronounceable.
Disguised like the name
of a lobby group.

Perhaps words should be read
for themselves. And not
spoken.

2023

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Slighted Subconscious

Subconscious has been cheating on me.
Seeing another Persona
behind my frontal lobe.

I can’t blame him.
I’ve become old and boring.
And the mindfulness meditation
makes him feel shunned.
I’m sure he thinks Intuition gets
all the fun jobs. And most
of the credit.

But Subconscious never listens. And mutters
when he knows I’m not listening. Certain
that I have nothing new to say. Numbed
by life pains that I didn't notice
or forgot. Those whispered fears —
long threadbare.

Silence can bare fragments
of his commentary. But they flee —
jumbling echoes down a hall.
If I follow, I sometimes happen on words —
meeting each other as strangers.

Subconscious likes his space. And uses mine —
usually unrealized.
I give him his secrets. He knows —
better than I —
all of mine.

2023

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Libraries of one poem

When a poem is befriended, it bonds
with its reader. And becomes
theirs.

One poem becomes many. That
walk among themselves.

None knowing
their meanings.

2023

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MAGA

Thinking produces nothing
you can hold. Some think nothing
and won’t let go.

2023

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Hope in the World

He’s in a better place, she said.

For a born-and-assimilated WASP, those are
tribal words. Rote ritual. Their meaning forgotten
centuries ago.
But aged by three-quarters of a century
and a student of words, I decided —
          Hear the words.

He is under a bird-bath memorial. Overlooking
a mesquite thicket that stretches until restrained
by a 40-foot wall of cottonwoods — shadowing
the wandering Babocomari. Both seeking water
flowing underground.

North and west of here, the state’s masses swarm
over two concrete oases. Where air pulsates
with discharged energy and
unfulfilled desires.
While across the planet, hope
is that you can pay the rent. Or
eat. Maybe get one more day of forgetting
why you’re angry. But certain
you’re lost.

___________________________________________
WASP — White, Anglo-Saxon Protestant

2024

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Circle K, U$A

Circle-K smile glistening like brand names
            yet stickerless prices.
Aisles embracing, pulsating
below neon-light hum. Each walled in
by shelves throbbing colors
            that glare out small print.

Smile teasing joy always
just out of reach. Priming for The Big Score:
            CHECKOUT
            IMPULSE-BUUUUUY!

That sells in the USA. Bright lights
of promise. Pot
in every chicken.
            Leaders pushing ahead of the mob. Lurching
            it on. Without thought
            or conscience.

2024

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Up the Babocomari

Most southwest rivers hide
when they can. So humans can’t find
them.
But proud cottonwoods —
once towers at water’s edge —
give this one away.
Still following a trail
forsaken.

Mountains on three horizons silent
as snow to hoard winter’s harvest. Relenting
in spring to parcel it out
to humans in the valley. Hoping
they won’t waste these
gifts from the sky.

2024

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All poems © 2024, Lars Samson

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